See Traditional Maya Weavers at Work in Guatemala

By Bethany Ivie

February 28, 2020

Weaving cloth by hand is complicated, to say the least. You can learn from the best-of-the-best in San Juan La Laguna, Guatemala.
Weaving cloth by hand is complicated to say the least. You can learn from the best-of-the-best in San Juan La Laguna, Guatemala.

If  you want to learn the ancient art of backstrap weaving, there’s no better place than San  Juan La Laguna, Guatemala. Actually, there may be no better place than San Juan period. Situated on the banks of beautiful Lake Atitlán, San Juan is a small Mayan community nestled in the midst of rolling green mountains and surrounded by glorious scenery including volcanoes and waterfalls. It’s an easy distance from Guatemala City and is one of many towns around the lake that welcome tourists. Most of the people who live here identify as Mayan and still follow the traditions of their ancestors, blending modern living and their ancient heritage seamlessly together.

Backstrap weaving is a long-standing tradition in Guatemala and was widely practiced by the ancient Maya and other indigenous peoples. Today, local artisans are keeping this traditional art alive and are spreading their knowledge to those who visit their hometown.


Lema' is the go-to place in San Juan to learn about weaving and natural dyes.

Though there are plenty of artisans in San Juan who are eager to teach you the trade, you'll do best to head to Lema' - a local store packed with more exquisite hand-woven shawls, scarves, table cloths and blankets than you can possibly imagine (or fit in your suitcase). Lema' is owned and operated by Rosalinda Tay, an expert weaver and Mayan culture advocate. Rosa has 18 years experience in the textile industry and is one of the few artisans in Guatemala who produces cochineal insects, which produce a vivid scarlet dye when crushed. She keeps the traditions and methods of her ancestors alive by teaching visitors how to weave on a backstrap loom and how fabrics can be dyed with plants and insects. 

Rosalinda Tay sits outside her studio and winds yarn died with cochineal on her enrollado. In front of her is an urdidora or warping frame.
Rosalinda Tay sits outside her studio and winds yarn died with cochineal on her enrollado. In front of her is an urdimbre, or warping frame.

When you visit her shop, you can also take a tour of her studio and her greenhouse where she produces the cochineal. She will walk you through the ins and outs of dying fabric with plants and insects as well as offer a weaving demonstration.

All weaving begins with a loom, a device that holds the thread and allows the artist to create fabric. On this loom are warp (the vertical threads in weaving that give the piece structure and tension) and weft threads (threads woven horizontally through the warp to provide a pattern). Unlike the common frame loom, a backstrap loom is flexible and mobile with one end of the warp tied around a pole, tree, pillar or other anchor, and the other end tied around the weaver's waist. This allows the artist to easily control the tension of the fabric she is making by moving closer or farther away from her anchor. The full process of weaving is ... extremely complicated and, frankly, you need an expert like Rosa to show you the process. But, in essence, it goes something like this: 

  •  Once cotton yarn has been dyed, it is put in the enrollado, or yarn winder, and spun into tidy balls.
  • Once wound, the thread is placed on the urdimbre, or warping frame. Here, the artist determines the length and width of her project as well as the final pattern.  Rosa explains, "when the thread is ready, we start the process that we call urdimbre ... this is the process when a woman uses all of her creativity to create a design."
Rosa's daughter, Tania, weaves a shawl colored with different shades of cochineal.
  • The amount of thread layered on the urdimbre used depends on the item -- a scarf, for example, requires 210 threads. 
  • After the thread is painstakingly layered on the urdimbre, the thread can be carefully removed from the weft board and placed on the backstrap loom. 
  • Fabric is made when the weaver lifts or lowers some of the warp/vertical threads to form an opening (called a shed).
  • The weaver pushes the weft/horizontal thread through that opening using a tool called a shuttle. The shuttle is, essentially, a needle that carries the thread from one side of the work to the other. 
  • A large, flat piece of wood called a lancadera is then placed in the shed and used to push the weft thread downward to the bottom of the work. This is how, little by little, fabric is made. 

Want to really learn how to weave? Visit Lema and set up a tour! You can find them at: 

  • Address: San Juan la Laguna 07017, Guatemala
  • Phone number: +502 5866 8446
  • FacebookAsociación Lema